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Georg Baselitz
Metropolitan Museum of Art, New York

Georg Baselitz and his wife, Elke, have gifted six landmark paintings to the Metropolitan Museum of Art, New York, in honor of its 150th anniversary in 2020. These works are now on view at the museum in Georg Baselitz: Pivotal Turn through July 18, 2021. The portraits, made in 1969, are among the first that Baselitz created using the radical strategy of inversion, in which the pictorial motif is literally turned upside down, enabling the artist to focus on painting’s possibilities, rather than the image of the sitter in direct relationship to the viewer. These portraits of the artist’s friends and associates in the German art world—the journalist Martin G. Buttig, the gallerists Franz Dahlem and Michael Werner, and the collector Karl Rinn—are deeply personal and have remained in the artist’s collection for six decades.

Georg Baseltiz, Der werktätige Dresdener – Porträt M.G.B. (Working Man from Dresden - Portrait of M.G.B), 1969, Metropolitan Museum of Art, New York, Gift of the Baselitz Family, 2020 © Georg Baselitz 2021. Photo: Jochen Littkemann

Georg Baseltiz, Der werktätige Dresdener – Porträt M.G.B. (Working Man from Dresden - Portrait of M.G.B), 1969, Metropolitan Museum of Art, New York, Gift of the Baselitz Family, 2020 © Georg Baselitz 2021. Photo: Jochen Littkemann

Related News

Still from “Georg Baselitz: Archinto”

Video

Georg Baselitz
Archinto

This video takes the viewer through Georg Baselitz: Archinto, an exhibition of new and recent paintings and sculptures by the artist at Museo di Palazzo Grimani, Venice, on view May 19, 2021–November 27, 2022. In this show, Baselitz pays homage to Venice and its rich artistic tradition, establishing art historical continuity while also signaling a rupture between the Renaissance portrait tradition and its contemporary equivalents. 

Still from “Georg Baselitz: Archinto”

Georg Baselitz, Zero Dom (Zero Dome), 2015/2021, installation view, Académie des beaux-arts, Paris © Georg Baselitz 2022

Public Installation

Georg Baselitz
Zero Dom

October 20, 2021–March 7, 2022
Académie des beaux-arts, Paris

Georg Baselitz’s sculpture Zero Dom (2015/2021) is installed in front of the Académie des beaux-arts, Paris, in conjunction with the artist’s retrospective at the Centre Pompidou, which is on view through March 7, 2022, and in celebration of his admission into the Académie des beaux-arts as a foreign associate member. The 9-meter-high patinated bronze sculpture features a bundle of legs in high heels, a recurring motif in the artist’s work, which he sees as a form of self-portrait.

Georg Baselitz, Zero Dom (Zero Dome), 2015/2021, installation view, Académie des beaux-arts, Paris © Georg Baselitz 2022

Georg Baselitz, La tête d’Abgar, 1984, Musee d’Art Moderne de Paris © Georg Baselitz 2021. Photo: Jochen Littkemann

Donation

Georg Baselitz
Musée d’Art Moderne de Paris

Georg Baselitz has donated six paintings to the Musee d’Art Moderne de Paris, which are now on view in the special exhibition Donation d’œuvres de Georg Baselitz, through January 9, 2022. The gift testifies to the museum’s ongoing relationship with the artist since his retrospective there in 1997, followed by his sculpture exhibition in 2011.

Georg Baselitz, La tête d’Abgar, 1984, Musee d’Art Moderne de Paris © Georg Baselitz 2021. Photo: Jochen Littkemann

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

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Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

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Whit Stillman

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Black and white portrait of Lisa Lyon

Lisa Lyon

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Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

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